In 2007, I contributed a number of articles (on roller derby, Little Lulu, She Ra: Princess of Power, and Carrie) to Girl Culture: An Encyclopedia. Just a few weeks ago, the companion to that volume, Boy Culture: An Encyclopedia was finally released, featuring articles from me on action figures, Hot Wheels, G.I. Joe, and skateboarding.
Encyclopedias, under the watchful eyes of Bubo the Bluetooth Owl
Anyhow, I just got my copies of Boy Culture and I think it looks pretty fun all cozied up to its predecessor. These are ambitious reference volumes, really targeted to academic and public libraries. I’m pretty glad to have been involved with the project, and to continue to contribute to the dialogue about youth culture.
I also want to give a big high-five to Ehrenspace, who wrote a large bulk of the music section for Boy Culture. (Seriously… he covers The Clash, The Cure, Led Zeppelin, Metallica, Nirvana, REM, Rush, The Who, and the history of reggae. That’s my fella!)
*Encyclopedia Brown reference!
There’s just not enough time or bandwidth for me to share everything I’m excited about, but I really do want to sound my excitable yawp about Cory Doctorow, who just launched his new YA novel For the Win. Doctorow releases free downloads of all of his books, licensed under Creative Commons Attribution-NonCommercial-ShareAlike. He’s a great champion of re-thinking the ways that we use (and abuse) copyright, and for re-imagining the way that writers and creators can operate in an evolving media landscape. I’ve only had a few subway moments to spend with For the Win, but I’d recommend that anyone interested in how/why an author would give away his books for free on the internet should download the book and read Doctorow’s introduction.
Plagiarism, copyright, borrowing, and texts: these are all topics that have fascinated me since college. I was particularly moved by an essay Kathy Acker wrote for the MMLA about copyright nearly fifteen years ago, in which she reiterates the importance of friendship and community in the work of creation. Based in part on my work on Acker (and my appreciation for her methods) I planned to write my dissertation on plagiarism/borrowing across a broad and surprising swath of American authors. Instead, a decade after I left grad school, I find myself an author as well as a reader, grappling with these issues and their intersection with technology. Needless to say, I have taken a great interest in Doctorow’s creative and business models.
Of course, you can always purchase Doctorow’s books, and he hopes that you will! If you’re content with the electronic version, but would like to still generate a sale for him, you can put the book into the hands of teachers and librarians who would like to provide the book for their kids. Donate a copy of For the Win here.
Besides all this high falutin’ copyright talk, I’m excited for this book because I simply adore good YA sci-fi. I inhaled this stuff as a kid. It opened up my brain to all kinds of creative possibilities, and it opened up my heart to books. These books turned me into a reader. And while I’ve definitely read my share of Very Important Books in my life, and I’m glad to be part of challenging book clubs as an adult, nothing can replace the singular, joyful escape of curling up with an action-packed sci-fi story. (So, yes, I am counting the days until Mockingjay, the final book of Suzanne Collins’s Hunger Games series is released…)
Here’s some shameless self-promotion and a shout-out to feminist media for your Thursday! I review There She Goes: Feminist Filmmaking and Beyond, edited by Corinn Columpar and Sophie Mayer, for the latest issue of Bitch magazine, which you can get here. This is a very worthy collection of academic essays, and it makes me excited about a whole ton of new directions in feminist film scholarship.
I confess that I haven’t done a great deal of publication writing lately. I’ve been awfully busy with client work. However, I’m always so pleased to be a part of a lot of very important feminist conversations!
I’m lucky to have two great book clubs in my life that prompt me to read a couple of novels every month. (Even though I love to read, I get busy and brainfried and often find myself diving for a DVD before a book at the end of a long day. So I’m grateful for a happy accountability to book club discussions.) I find equal pleasure in Good Books and airy treasures that remind me why I fell in love with reading in the first place. It’s so good, this reading. So in the the spirit of all the (slightly obnoxious but addictive) year-end listmaking, I thought I would make a few notes about what I loved reading this year.
Without a doubt, the best new(ish) book I read this year was Atmospheric Disturbances by Rivka Galchen. It’s rather an understatement to say that I was impressed and moved by this novel, which is a meditation on time, identity and love, all wrapped up in meteorology, and written by a woman of about my age. (And that summary doesn’t really do justice to the novel. Please just read it.) I experienced a similar intellectual reaction to I am Not Sidney Poitier by Percival Everett. These two books practically had me hopping around my apartment with hooray to talk about them.
I added a bunch of novels to my “I Can’t Believe It’s Taken Me So Long To Read This Incredible Thing” list: The Yiddish Policemen’s Union by Michael Chabon; Watership Down by Richard Adams (okay, so it doesn’t quite qualify as “incredible,” but it did make me think big thoughts about rabbits, John Hurt, and Bunnies & Burrows all Spring); and A Tree Grows in Brooklyn by Betty Smith. I was especially taken with A Tree Grows in Brooklyn, not just because it’s one of the best coming-of-age stories I’ve ever read, but also because I live in Williamsburg and it was delightful to re-imagine my familiar blocks in Smith’s turn-of-the-century story.
In the sci-fi universe, I finally got around to reading Robert Heinlein’s The Moon is a Harsh Mistress, which made me give a cosmic, jovial punch in the arm to hard science fiction. I normally steer clear of you, classic hard sci-fi, but this novel was a surprisingly charming and humane representative. It was a year of re-reading in sci-fi, too. I took a second look at Cory Doctorow’s Down and Out in the Magic Kingdom, appreciating all the more how it anticipated so much of our modern social media world, and I spent a few good days re-visiting The Female Man by Joanna Russ. I read and wrote about The Female Man in my teens, and finishing the book for the first time was the moment when I decided (even though I’d been deciding all along) that I was a feminist (in fact, that I had to be a feminist). Reading it twenty years later, it’s not quite as revolutionary, but it has become more revelatory for me. In the new weird universe, Brian Francis Slattery’s Liberation killed me with awesome both times I read it this year.
I spent a fair bit of time with short stories this year, too. Belle Boggs’ “Homecoming“ was a stand-out among contemporary selections. Shirley Jackson’s “The Summer People” is a rad, economical little story that reminded me 1.) of why I should never stay on in a vacation town after Labor Day, and 2.) why Shirley Jackson does creepyawesome like no other author. And I think that E. M. Forster’s 1909 story “The Machine Stops“ actually flabbergasted me with its vision about the role of technology in the future (despite its dystopian-as-all-heck outlook, it’s fairly spot-on in a lot of ways about the way we are living our lives right now).
And (of course, of course) there are more! But I’m really interested in what you’ve read this past year, and what you think I should be reading in the next.
Please comment or drop me a line with some suggestions, dear readers!
Oh, and I’ve included a bonus book club PowerPoint presentation after the jump, too, if you’re interested… ok
The Book: In Cold Blood by Truman Capote (1965)
The Goods: Generally credited as the origin of the true crime genre, In Cold Blood is a Truman Capote’s non-fiction novel detailing the grisly 1959 murders of the Clutter family in Holcomb, Kansas, as well as Capote’s study of the two killers.
The Report: Despite the face that we’re living in an age awash with all things true crime, book club was impressed with In Cold Blood, and found the experience of reading it chilling and a little creepy. Nonetheless, many of us found it impossible to discuss this novel without discussing how it was written: Capote’s methods, his interpretation of the events, and his relationship to the real-life killers. ok
